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Meena puts a picture into your head РІР‚вЂњ of Seema standing with a sickle in her hand. I am not saying one is better than the other but there were moments when patriarchy was ripped apart in those movies in the way women carried themselves, in the way women mouthed dialogues,РІР‚Сњ she says. Women today donРІР‚в„ўt have the physical strength to say that. РІР‚СљSeemaРІР‚в„ўs character says in the film, I got him from the gutters and I was at a stage where I could tie any number of men to my skirtРІР‚в„ўs strings. The woman who sympathised with the man is meant to win hearts while the one who took a stance is to be ridiculed.Р”Р„cademic Meena T Pillai, author of The Missing Look: Women in Malayalam Cinema, however, argues that a character like the one Seema played is immensely powerful when it comes to body language. Here again, SuhasiniРІР‚в„ўs character is shown in a bad light because she let go of her husband, and SeemaРІР‚в„ўs character is shown as the РІР‚Сљstronger womanРІР‚Сњ because she takes care of him. Another version of Ammukutty, the sacrificing woman, who tends to the man who had abandoned her once. He leaves his wife when they fight, gets drunk and falls on the road from where Geetha saves him and then looks after him. In the movie, Mammootty plays a writer who had once been close to Geetha (Seema) but marries another writer (Suhasini). She points out another example, Aksharangal, another IV Sasi movie from 1984 with the same actors. And the career oriented woman is shown in a bad light, as one who doesnРІР‚в„ўt give priority to the family,РІР‚Сњ says Janaki Sreedharan, professor at the Calicut University, who writes on gender and cinema. The woman who sympathised with the man is shown in a good light. РІР‚СљHere, Mammootty is at the centre and the women revolve around him. Seema is also be dressed in the traditional mundum neriyathum while Unni Mary is in fashionable nightgowns. And Unni Mary plays the rich and beautiful wife who is portrayed as arrogant (because she dares to offer money to Ammukutty), selfish (because she only cares about her career) and unloving (because she is ready to go away from her family). Seema, as she often did in movies of the РІР‚В80s, plays the woman who is portrayed as РІР‚СљboldРІР‚Сњ (because she doesnРІР‚в„ўt hesitate to be physically close to Rajan before marriage), nice (because she sacrifices her feelings when he gets a РІР‚СљbetterРІР‚Сњ alliance), caring (because only she takes care of the ailing uncle when his own children donРІР‚в„ўt want to) and proud (because she throws away the money Nalini offers to settle the old dues of sponsoring her husbandРІР‚в„ўs education). It was a time when Malayalam cinema is said to have created strong women characters: strong in their words, deeds and expressions. Directors РІР‚вЂњ who are loved even today РІР‚вЂњ gave some of their best in those years РІР‚вЂњ in terms of stories and characters.

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Hindi bollywood movies bollywood theme bollywood posters zorro movie hindi movies online free hd movies download old movies indian stars.IV SasiРІР‚в„ўs 1984 film is an example of the two extremes of the portrayal of women in that decade, fondly called the golden РІР‚В80s of Malayalam cinema.

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Old malayalam movie 1985